Edited by Robert Nelson and Richard Shiff, Critical Terms for Art History is both an exposition and a demonstration of contested terms from the current art-historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art and reading each work through current debates and methods. This instructive combination of theory and practice allows readers to examine the terms as they are being employed. In its wide representation of current discourses, Critical Terms for Art History is a comprehensive effort to map historical and theoretical debates over the contemporary visual and pictorial environment.' - from the back cover
Onsite
English
art theory,  art history
1996
364
9780226571652
1
anthology, 
dictionary/encyclopedia
At the Place of a Foreword: Someone Looking, Reading, and Writing - Robert S. NELSON
Operations
Representation - David SUMMERS
Sign - Alex POTTS
Simulacrum - Michael CAMILLE
Communications
Word and Image - W. J. T. MITCHELL
Narrative - Wolfgang KEMP
Context - Paul MATTICK, Jr.
Meaning/Interpretation - Stephen BANN
Histories
Originality - Richard SHIFF
Appropriation - Robert NELSON
Art History - David CARRIER
Modernism - Charles HARRISON
Avant-Garde - Ann GIBSON
Primitive - Mark ANTLIFF, Patricia LEIGHTEN
Social Relations
Ritual - Suzanne Preston BLIER
Fetish - William PIETZ
Gaze - Margaret OLIN
Gender - Whitney DAVIS
Societies
Modes of Production - Terry SMITH
Commodity - Paul WOOD
Collecting/Museum - Donald PREZIOSI
Value - Joseph Leo KOERNER
Postmodernism/Postcolonism - Homi K. BHABHA
Afterword: Figuration - Richard SHIFF
Critical Terms for Art History

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