This volume is the first comprehensive survey of contemporary art from Hong Kong presented within the changing social and political context of the territory's 1997 handover from British to Chinese sovereignty. Tracing a distinctive and increasingly vibrant art scene from the late 1960s through the present, David Clark discusses a wide range of media, including painting, sculpture, photography, video and installations, as well as other kinds of visual production such as architecture, fashion, graphic design, and graffiti. (from the back cover)
Onsite
Kurt CHAN, 陳育強, 
Luis CHAN, 陳福善, 
CHEUNG Nga Yin Lucia, 張雅燕, 
Karl CHIU, 趙嘉榮, 
CHOI Yan Chi, 蔡仞姿, 
CHU Tak Wah Almond, 朱德華, 
HO Hing Kay Oscar, 何慶基, 
HO Siu Kee, 何兆基, 
HOU Chun-Ming, 侯俊明, 
JU Ming, 朱銘, 
KO Chi Keung Alfred, 高志強, 
KUM Chi Keung, 甘志強, 
Freeman LAU, 劉小康, 
Holly LEE, 黃楚喬, 
LEE Ka-Sing, 李家昇, 
LEUNG Chi Wo Warren, 梁志和, 
LUI Shou-kwan, 呂壽琨, 
Antonio MAK, 麥顯揚, 
MAN Ching Ying Phoebe, 文晶瑩, 
Ellen PAU, 鮑藹倫, 
SO Hing Keung, 蘇慶強, 
SZE Yuen, 施遠, 
Hiram TO, 杜子卿, 
TSANG Tak Ping Kith, 曾德平, 
TSANG Tsou Choi / King of Kowloon, 曾灶財, 
VAN Lau, 文樓, 
WANG Guangyi, 王廣義, 
WANG Hai, 王亥, 
WONG Chi Hang Sara, 黃志恆, 
WONG Kan Tai, 黃勤帶, 
WONG Kwok Choi Kacey, 黃國才, 
WONG Shun Kit, 王純杰, 
WONG Wo Bik, 王禾璧, 
Wucius WONG, 王無邪, 
Zunzi, 尊子, 
XU Bing, 徐冰, 
John YOUNG, 楊子榮, 
YOUNG Hay, 楊曦, 
English
Hong Kong,  art history,  photography,  multimedia art,  conceptualism,  performance art,  installation,  sculpture,  collage,  calligraphy,  mixed media,  ink painting,  visual culture,  independent art space
2001
240
962209564X
2
monograph
Introduction
Varieties of Cultural Hybridity
Living in the Shadow of the Future
Para/Site Art Space
Carving Public Space
The Visual Production of a Transition
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