One of the leading contemporary artists in Vietnam, the artistic path of Le Thiet Cuong has passed through a few stages. During the 1980s, his paintings were loaded with heavy texture and colours in the manner of the Post-Impressionists and Abstract Expressionists. From 1985-1989, Cuong filled his canvases with intense colours and dark tones. The turning point came in 1990, when Cuong abandoned his early practices in favour of a minimalist style showing figures and landscapes with only a few contours. The reason for the change in part traces to the influence of Tay Tang Buddhism, an esoteric sect of Buddhism that focuses on harmony and the balance of elements, on the artist.
The paintings presented in the present catalogue for Le Thiet Cuong's solo exhibition at Plum Blossoms in Hong Kong and Singapore were completed during the latter stage of his artisic career. This catalogue also includes essays on the art of Cuong and an artist biography.

Access level

Onsite

Location code
MONL.LTC
Language

English

Publication/Creation date

1999

ISBN / ISSN

9627502502

No of copies

2

Content type

artist monograph, 

catalogue

Chapter headings

Le Thiet Cuong and the Task of Painting a New Vietnam - Henry AUYEUNG, 歐陽憲

A Singular Narrative - Ian FINDLAY-BROWN, 房義安

Le Thiet Cuong: Point of View
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In Copyright

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Le Thiet Cuong: Point of View