Published to accompany an exhibition of the same title, Text & Subtext is a collection of essays that addresses issues confronting women involved in contemporary art in Asia. It seeks to initiate a dialogue between practitioners from geographically separated and often-unconnected Asian regions, despite the view of Asia being an integrated entity. The essays presented here cover issues such as the image of women as expressed in fashion, comparisons between men's art practices and that of women, the view of a changing Diaspora art practice, and the differences of understanding inherent in the practice of a non-indigenous art form. Bibliography provided.
Onsite
Yasmin ALMONTE-LANTZ, 
Arahmaiani, 
Bunga Jeruk Permata Pekerti, 
Chila Kumari BURMAN, 
CAI Jin, 蔡錦, 
Imelda CAJIPE-ENDAYA, 
CHEON Kyungia, 천경자, 
CHO Kyungsook, 조경숙, 
DINH Thi Tham Poong, 
Francesca ENRIQUEZ, 
HAM Kyungah, 함경아, 
Lucia HARTINI, 
Hening Purnamawati, 
HOU Shur-tzy Lulu, 侯淑姿, 
HSU Hsunwei Maggie, 徐洵蔚, 
Leiko IKEMURA, イケムラレイコ, 
Hiroko INOUE, 井上廣子, 
Tari ITO, 伊藤塔莉, 
IUM, 이윰, 
JIANG Jie, 姜傑, 
Felicia KAN, 
KIM Myunghee, 김명희, 
KIM Nanyoung, 김난영, 
KIM Wonsook, 김원숙, 
Sora KIM, 김소라, 
Kimsooja, 김수자, 
Takanobu KOBAYASHI, 小林孝亘, 
KWON Sowon, 권소원, 
LEE Bul, 이불, 
LEE Eunsan, 이은산, 
Lindy LEE, 李琳迪, 
Nikki S. LEE, 리니키, 
LEUNG Mee Ping, 梁美萍, 
Joyce Vyvyann LIM, 
LIN Chun-Ju, 林純如, 
LIN Pey-Chwen, 林珮淳, 
LIN Tianmiao, 林天苗, 
LIU Hung, 劉宏, 
LIU Shihfen, 劉世芬, 
Nalini MALANI, 
Mrinalini MUKHERJEE, 
Varsha NAIR, 
Hanh Nguyet NGO, 
NGUYEN Thi Chau Giang, 
Ni Made Sri Asih, 
Chieko OSHIE, 押江千衣子, 
QIN Yufen, 秦玉芬, 
RYU JunHwa, 류준화, 
Yoshie SAKAI, 坂井淑恵, 
Uap SANASAN, 
Sekar Jatiningrum, 
Nilima SHEIKH, 
Judy Freya SIBAYAN, 
Phaptawan SUWANNAKUDT, 
Cristina TANIGUCHI, 
THI Myle, 施美里, 
Shigeo TOYA, 戸谷成雄, 
Suzann VICTOR, 
Nobuko WATABIKI, 綿引展子, 
Paula WONG, 
WU Ma-Li, 吳瑪悧, 
YAN Ming-Huei, 嚴明惠, 
YE Shufang, 葉素芳, 
YIN Xiuzhen, 尹秀珍, 
YOON Hyojun, 윤효준, 
YU Yeonhee, 유연희, 
English
gender,  feminism,  art history,  diaspora,  South Korea,  Philippines,  Vietnam,  Taiwan,  India,  China,  Japan,  Singapore,  Indonesia,  Asia
2000
190
9810427182
2
anthology
Introduction - HUANGFU Binghui, 皇甫秉惠
Philippines
Textiles, Exiles, Ex-Isles: Coordinates for Knowing Certain Women - Marian PASTOR ROCES
Women Imaging Women: Feminine Spaces, Dissident Voices - Flaudette May V. DATUIN
England
Critical Texts; Aesthetics and Political Sub-Texts - Katy DEEPWELL
Korea
The Current State of Korean Feminist Art and Tasks for Its Criticism - KIM Honghee, b. 1948, 김홍희
The Vivid Colours of Korean Women: Images and Lives of Korean Women - AHN Eunyoung, 안은영
China
Mirror of Desire: The Conceptual Types of Contemporary Feminist Art of China - HUANG Zhuan, 黃專
Private Space and Public Space - Dissecting Chinese Feminist Art of the Late 1990s - JIANG Mei, 江梅
Taiwan
Reading Feminist Dimensions of Contemporary Art in Taiwan - CHEN Hsiangchun Elsa , 陳香君
Australia
Shifting Frames of Reference: Asian Australian Women Artists - Melissa CHIU, 招穎思
Text and Subtext: Women, Sexuality, Image and Identity in Asian Art - Andrea Jane ASH
Japan
Japanese Art in the 1990s at the Borderline Between Inside and Outside - Reiko KOKATSU, 小勝禮子
The Current State and Issue in Gender, Art History and Visual Representation Studies in Japan - Megumi KITAHARA, 北原恵
India
The Possibilities of Device: The Work of Nalini Malani and Nilima Sheikh - Chaitanya SAMBRANI
Indonesia
Recognising New Pillars in the Indonesian Art World - Martinus Dwi Marianto
Vietnam
Women for the Creation of Art - NGUYEN Quan
Singapore
Text & Subtext: Contemporary Art and Asian Women - HUANGFU Binghui, 皇甫秉惠
THE CRISIS OF CONTEXT: What Holds Heterogeneities Together - Susie LINGHAM
The Blind Gaze of Theories of Representation - Irina ARISTARKHOVA
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