From the mid-1980s onwards, Leung Kui-ting abandoned the techniques of producing special visual images by rubbing or dyeing paper, and turned to the use of traditional ink-and-brush technique. He also turned to painting landscapes. His constant travelling and sketching in China in the 90s brought about a new level of maturity in his art. The works presented in this exhibition catalogue, the ‘Travel’ series and the ‘Cliffs’ series, created in 2000, demonstrate a masterplay of ink and brush technique. Artist biography included.

Alternative title

Wang hei long bai: liang ju ting shui mo jin zuo zhan

Access level

Onsite

Location code
MONL.LKT (Closed Stack)
Language

Chinese - Traditional, 

English

Publication/Creation date

2001

ISBN / ISSN

9627376183

No of copies

2

Content type

artist monograph, 

catalogue

Chapter headings

Reside and Saunter: Leung Kui-ting and the New Ink Painting Movement - CHANG Tsongzung Johnson, 張頌仁

The Black and the White - An Interwoven Vision: Recent Ink Paintings by Leung Kui-ting
分享
引用
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

The Black and the White - An Interwoven Vision: Recent Ink Paintings by Leung Kui-ting, 網黑籠白:梁巨廷水墨近作展