Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved.
Access level
Onsite
author
publisher
Location code
REF.RAJ3
Language
English
Keywords
cultural studies,  audience,  art theory,  visual culture
Publication/Creation date
2011
No of pages
134
ISBN / ISSN
978184467761
No of copies
1
Content type
monograph
Chapter headings
The Emancipated Spectator
The Misadventures of Critical Thought
Aesthetic Separation, Aesthetic Community
The Intolerable Image
The Pensive Image
The Emancipated Spectator

What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.