The Third Chengdu Biennale Curatorial Statement: Reboot

Foreword - DENG Hong, 鄧鴻

The Problem of Guohua - FENG Bin, 馮斌

Modernity, Modern Transformation, and 'Self-Awareness' - an Introduction to the Project 'The Road of Chinese Modern Art' - PAN Gongkai, 潘公凱

Provincial Thinking - Some Issues in the Current Ecology of Art in China - ZHANG Yingchuan, 張穎川

The Anxiety of Cultural Identity - Literati Painting, Chinese Painting, and Ink Painting in the Discourse of Westernization - ZOU Yuejin, 鄒躍進

Ink Painting and Post-Ink Painting - LU Fusheng, 盧輔聖

An Overview of Contemporary Ink Art - LU Hong, 魯虹

'To Write' and 'To Paint' - Their Conceptual Presentation in Contemporary Chinese Painting - NIU Kecheng, 牛克誠

Be Careful of Images of the 'Chinaman' - Gan XU

Forward to the Past: How Traditional Aesthetics Are Infiltrating Contemporary Art - Francesca DAL LAGO

The Practice of Ink and Its Dilemma in the Contemporary Art World - SHEN Kuiyi, 沈揆一

The Aesthetic of Xing (Contingency) - The only Chinese aesthetic that can confront the Western Aesthetics of Simulation - LO Ch'ing, 羅青

National Identity and Art Form: Contemplation of Chinese Modern and Contemporary Art - Anyi PAN, 潘安儀

Primordiality and Other Essentialisms: Modernists and their Media in the Chinese Diaspora - Peter STURMAN

Reordering the Landscape: Li Huayi, Zhang Hong, and Twentieth Century Chinese Painting - Julia F. ANDREWS, 安雅蘭

Mixing Water and Oil: Understanding Shi Mo in the Contemporary Global Art Market - Katharine P. BURNETT

Innovations in Space and Painting, Philisophy: Paintings by Zheng Chongbin and Qiu Shihua - Britta ERICKSON, 林似竹

In Service of the Everyday Life - Pauline J. YAO, 姚嘉善

'Introspection' and 'Extrospection' - Ink Art As an Expanded Open Platform - LU Huan, 盧緩

The Anxiety of Ink: Odyssey of Shuimohua Painters in the Chinese Modern and Post-Modern Art World - LEE Huishu, 李慧漱

Selected Articles from the Second Chengdu Biennale Symposium

The Second Chengdu Biennale Curatorial Statement

Foreword of the Second Chengdu Biennale - FAN Dian, 范迪安

How do we talk about Vulgarity and Satire? - WANG Lin, 王林

Mass Culture and Chinese Avant-Garde Art - YI Ying, 易英

Liberalism and its dilemma in Chinese Contemporary Art - HUANG Zhuan, 黃專

Post-Materialism: Interpretation of 'Everyday Life' by Contemporary Chinese Artists - HUANG Du, 黃篤

A Low and Shallow Game: The Rising of a Cartoon Generation - ZHU Qi, 朱其

Preface for the Special Exhbiition of Emerging Artists - FENG Bin, 馮斌

In the Eyes of Emerging Artists - YIN Shuangxi, 殷雙喜

Selected Articles from the First Chengdu Biennale Symposium

My Views ont he Chengdu Biennale - LIU Xiaochun, 劉驍純

The Survival of Models (Yangban) - The conceptual plan and reality of the First Chengdu Biennale - GU Zhenqing, 顧振清

Mofan (Model) and Yangban (Model) - CHANG Tsongzung Johnson, 張頌仁

Easel Art, Value, and Possibilities - GU Chengfeng, 顧丞峰

Is '9.11' a Performance Art? - Some Thoughts on the Chengdu Biennale - Monica DEMATTE

The easel paintings that were led by non-easel painting - On the Chengdu Biennale - JIA Fangzhou, 賈方舟

Perspectives on 'Easel Art' - SUN Zhenhua, 孫振華

The first Chengdu Biennale - Preparation for a Real Biennale - HSU Manray, 徐文瑞

The awkwardness of Chinese art theorists - ZHANG Yingchuan, 張穎川

On the Chengdu Biennale - Akira KURIYAMA, 栗山明

Controversial but Spectacular - 'Chengdu Biennale': a new stage to introduce Chinese contemporary art to the world - YANG Yingshi, 楊應時

Urban Biennale: A Twenty-First Century Seasonal Wind of Art - SUN Xiaoning, 孫小寧