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Vietnamese Painting from Tradition to Modernity

Including many unpublished documents, this book presents the birth and evolution of Vietnamese painting in its historical, literary and cultural background, from 1925 to the present.

With artists' biographies.
Access level

Onsite

artist

Alix AYMÉ, 

BE Ky, 

Jean BOUCHAUD, 

BUI Chi, 

BUI Huu Hung, 

BUI Suoi Hoa, 

BUI Xuan Phai, 

CA Le Thang, 

DANG Xuan Hoa, 

DAO Minh Tri, 

DIEP Minh Chau, 

DINH Cuong, 

DINH Y Nhi, 

DO Hoang Tuong, 

DO Phan, 

DO Quang Em, 

DUC Thanh Ho, 

DUONG Bich Lien, 

Rémy GASTAMBIDE, NGUYENBac Ai, 

HOANG Hong Cam, 

HONG Viet Dung, 

HUA Thanh Binh, 

Joseph INGUIMBERTY, 

Évariste JONCHÈRE, 

LE Ba Dang, 

LE Hong Thai, 

LE Pho, 

LE Thanh Son, 

LE Thanh Thu, 

LE Thi Luu, 

LE Thiet Cuong, 

LE Van De, 

LE Van Mien, 

LUONG Xuan Nhi, 

LUU Cong Nhan, 

LUU Van Sin, 

MAI Trung Thu, 

MAI Van Hien, 

Andre MAIRE, 

NGUYEN Cam, 

NGUYEN Gia Tri, 

NGUYEN Khai, 

NGUYEN Lam, 

NGUYEN Minh Thanh, 

NGUYEN Nam Son, 

NGUYEN Phan Chanh, 

NGUYEN Phuoc, 

NGUYEN Quang Huy, 阮光輝, 

NGUYEN Sang, 

NGUYEN Tan Cuong, 

NGUYEN Thanh Binh, 

NGUYEN Thanh Chuong, 

NGUYEN Thi Chau Giang, 

NGUYEN Tien Chung, 

NGUYEN Trung Tin, 

NGUYEN Trung, 

NGUYEN Tu Nghiem, 

NGUYEN Tuong Lam, 

NGUYEN Van Cuong, 

PHAM Can Tuong, 

PHAM Luan, 

PHAN Ke An, 

TA Ty, 

Victor TARDIEU, 

TO Ngoc Van, 

TRAN Luu Hau, 

TRAN Trong Vu, 

TRAN Trung Tin, 

TRAN Van Can, 

TRAN Van Thao, 

TRINH Cong Son, 

TRINH Cung, 

Uyen Huy, 

VAN Cao, 

VAN Duong Thanh, 

VU Cao Dam

author

Corinne DE MENONVILLE

publisher

Les Editions d' Art et d' Histoire, ARHIS (Paris, France)

Location code
REFL.MEC2
Language

English

Keywords

painting,  art history,  Vietnam

Publication/Creation date

2003

No of pages

247

ISBN / ISSN

2906755214

No of copies

1

Content type

monograph

Chapter headings

Heritages

Cultural Heritage

Paradoxes

News Factors

Romantic Adventure

French Contribution

School and Its Curriculum

Evolution of the School

A Certain Vision of Indochina

A Rich Context

Humnaism and Creation

The Elements of Figurative Art

Techniques and Innovations

Discovering Nature

Woman, a Favored Theme

The Warrior Adventure

Historical Context

Artistic Engagement

Political Art: Principles and Applications

Art or Propaganda

Debates

Black Veil

The Four Pillars

Cultural Life in the South Until 1975

Dark Period

The Adventure of Modernity

New Horizons

The Temptation of Abstraction

Between Two Worlds

Painting as a Question

Tradition Revisited

A New Figurative Art

The Painters of the Diaspora

Perspectives and Problems

Itineries

From 1873 to 1920

The Four Pillars

From 1920 to 1954

From 1955 to 1975

Vietnamese Painting from Tradition to Modernity
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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Vietnamese Painting from Tradition to Modernity

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