'Walid Raad is one of the leading artists of his generation. His works explore historical, political, economic, and aesthetic facts and fictions related to the lebanese wars and to "Arab" art. This book surveys almost three decades of Raad's practice in a variety of mediums- including photography, video, and performance-while focusing on his groundbreaking project The Atlas Group (1989-2004) and his ongoing work Scratching on things I could disavow (2007-). Essays by Eva Respini and Finbarr Barry Flood place Raad's art in the international context of contemporary artmaking, and the book includes a special eighteen-page visual contribution by Raad himself. It is published to accompany the first comprehensive exhibition of his work in the United States.' - from the front flap
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.