序言

藝術世界中的可見性－拉希德‧阿瑞安之見 - Andrea BUDDENSIEG

未來的表演性 - Angelo CAPASSO

中國當代藝術問題 - CHANG Ningsheng, 常寧生

西方藝術史今後的意義 - David CARRIER

東西無邊界：文化經濟與藝術文物世界 - Jennifer PURTLE

意派－一個顛覆再現的理論 - GAO Minglu, 高名潞

在真實與想像之間－當代中國藝術現象 - GENG Youzhuang, 耿幼壯

媒介即市場 - Harold Foss FOSTER

中國 '當代藝術' - HUANG Heqing, 黃河清

全球化時代的當代藝術及藝術博物館 - Hans BELTING

什麼是我們的 '國家遺產'？ - HUANG Zhuan, 黃專

作為當代藝術的中國畫 - JIANG Qigu, 蔣奇谷

關於 '革命在繼續' 自白 - JIANG Jiehong Joshua, 姜節泓

過去的藝術：靈感與否 - Britta ERICKSON, 林似竹

在波士頓為羅漢著迷－奧斯瓦爾多‧喜仁龍中國藝術記事 - Minna TORMA

意象之路：有關中國當代藝術的一種試探性理論 - PENG Feng, 彭鋒

在 '中國古物' 與 '現當代藝術' 之間的長廊裡 - SI Han, 司漢

描述與規範：中國當下藝術批評話語的兩種取向 - SHEN Yubing, 沈語冰

背景敍述：現當代藝術，世界趨勢，中國 - Terence Edwin SMITH

現實主義與中國當代藝術 - WANG Chunchen, 王春辰

後先鋒：中國當代藝術的立場問題 - WANG Lin, 王林

'後抽象' 的過程與批評性藝術 - WANG Nanming, 王南溟

關於現代藝術及教育問題的一封E-mail - XU Bing, 徐冰

亞洲的隐身現代主義 - John CLARK, 姜苦樂

社會學前衛與美學前衛：20世紀中國藝術發展中的雙重變奏 - YIN Shuangxi, 殷雙喜

一種對當代美術批評的批評 - James ELKINS

兩個藝術史：哪些藝術才能代表中國？ - ZHU Qi, 朱其

中國當代藝術現象的傳統根源 - ZHU Qingsheng, 朱青生

從中國當代視角書寫英文版《中國當代藝術史》 - ZHOU Yan, 周彥

圖錄

後記

Preface

Visibility in the Art World: the Voice of Rasheed Araeen - Andrea BUDDENSIEG

Performativity as the Future - Angelo CAPASSO

Problems of Contemporary Art in China - CHANG Ningsheng, 常寧生

The Coming Sinification of Western Art History - David CARRIER

Objects Without Borders: Cultural Economy and the World of Artefacts - Jennifer PURTLE

Yi Pai: A Synthetic Theory against Representation - GAO Minglu, 高名潞

Between Reality and Imagination: The Phenomenon of Comtemporary Chinese Art - GENG Youzhuang, 耿幼壯

The Medium is the Market - Harold Foss FOSTER

Chinese 'Contemporary Art' - HUANG Heqing, 黃河清

Contemporary Art and the Museum in the Global Age - Hans BELTING

What's Our 'State Legacy'? - HUANG Zhuan, 黃專

Chinese Ink Painting as Contemporary Art - JIANG Qigu, 蔣奇谷

A Monologue on 'The Revolution Continues' - JIANG Jiehong Joshua, 姜節泓

Past Art as Inspiration-or Not - Britta ERICKSON, 林似竹

Enchanted by Lohans in Boston Tales of Osvald Siren's Encounter with Chinese Art - Minna TORMA

Paths to the Middle: A Tentative Theory for Chinese Contemporary Art - PENG Feng, 彭鋒

In the Corridor between 'Chinese Antiquities' and 'Modern/Contemporary Art' - SI Han, 司漢

Description and Norm: Two Approaches to the Current Discourse of Art Criticism in China - SHEN Yubing, 沈語冰

Background Stories: Modern and Contemporary Art, World Currents, China - Terence Edwin SMITH

Realism amd Contemporary Chinese Art - WANG Chunchen, 王春辰

Post Avant-garde: An Issue about the Stance of Chinese Contemporary Art - WANG Lin, 王林

The Process of 'Post-Abstract' and the Critical Art - WANG Nanming, 王南溟

An E-mail on Modern Art and Art Education - XU Bing, 徐冰

Asia's Invisible? Modernism - John CLARK, 姜苦樂

Sociological Avant-Garde and Aesthetic Avant-Garde: the Dual Variation in the Development of China's Art in the 20th Century - YIN Shuangxi, 殷雙喜

What Happened to Art Criticism? - James ELKINS

Two Art Histories: Which Can Represent China? - ZHU Qi, 朱其

Traditional Origin of China's Contemporary Art - ZHU Qingsheng, 朱青生

Writing an English-version History of Chinese Contemporary Art from Chinese Contemporary Perspective - ZHOU Yan, 周彥

Figures

Afterword