This publication accompanies a major retrospective exhibition at Tate Modern in London (9 February - 5 June 2012), subsequently touring to the Whitney Museum of American Art in New York.

'The nine decades of Yayoi Kusama’s life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a career in which she has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including painting, drawing, sculpture, film, performance and immersive installation. It ranges from works on paper featuring intense semi-abstract imagery, to soft sculpture known as ‘Accumulations’, to her ‘Infinity Net’ paintings, made up of carefully repeated arcs of paint built up into large patterns. Since 1977 Kusama has lived voluntarily in a psychiatric institution, and much of her work has been marked with obsessiveness and a desire to escape from psychological trauma. In an attempt to share her experiences, she creates installations that immerse the viewer in her obsessive vision of endless dots and nets or infinitely mirrored space.

'At the centre of the art world in the 1960s, she came into contact with artists including Donald Judd, Andy Warhol, Joseph Cornell and Claes Oldenburg, influencing many along the way. She has traded on her identity as an ‘outsider’ in many contexts - as a female artist in a male-dominated society, as a Japanese person in the Western art world, and as a victim of her own neurotic and obsessional symptoms. After achieving fame and notoriety with groundbreaking art happenings and events, she returned to her country of birth and is now Japan’s most prominent contemporary artist.

'This is a varied, spectacular exhibition of a truly unique artist. There has never been an exhibition of this size of her work in the UK and this is an unmissable opportunity for both Kusama fans and those new to her work.' (from website of Tate Modern)

Including artist biography.

Access level

Onsite

Location code
MON.KUY
Language

English

Publication/Creation date

2012

No of pages

208

ISBN / ISSN

9781854379399

No of copies

2

Content type

artist monograph, 

catalogue

Chapter headings

Introduction - Frances MORRIS

Early Years 1929-1957 - Rachel TAYLOR

Coming to America: Infinity Net Paintings 1957-1961 - Rachel TAYLOR

Accumulation Sculptures and Collages 1961-1965 - Rachel TAYLOR

Walking Piece, Narcissus Garden and Self-Portraiture 1966 - Rachel TAYLOR

Kusama's Self-Obliteration and the Rise of Happenings 1967-1983 - Rachel TAYLOR

Return to Japan 1973-1983 - Rachel TAYLOR

Experiments in Sculpture and Painting 1980s and 1990s - Rachel TAYLOR

I'm Here, but Nothing and Installations at the Turn of the Century 2000-2008 - Rachel TAYLOR

Recent Work 2009-2012 - Rachel TAYLOR

Rising from Totalitarianism: Yayoi Kusama 1945-1955 - Midori YAMAMURA

Infinity Politics - Mignon NIXON

I'm Here, but Nothing: Yayoi Kusama's Environments - Jo APPLIN

Portrait of the Artist as a Young Flower - Juliet MITCHELL

Yayoi Kusama
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Yayoi Kusama