AAA’s Publications Project is a research initiative dedicated to building resources around the multiple histories of 20th-century art writing from different languages in South Asia.
In an attempt to preserve and circulate the rich history of South Asia’s art writing, AAA commenced the Publications Project in 2013 with a line-up of research initiatives to map, compile, translate, and republish important texts on modern and contemporary art from the region. Inviting established scholars, educators, artists, and young researchers, AAA organised closed-door workshops, colloquia, public conferences, and research grants in collaboration with numerous partnering institutions and organisations, all focused on discussing the multiple histories and debates on art from twelve different languages.
Led by a Core Editorial Team consisting of Sabih Ahmed, Sneha Ragavan, Santhosh S., and Vidya Shivadas, the project explores genres including art criticism, monographs, poetry, travelogues, memoirs, and fiction writing that have contributed to shaping the sensibilities around modern art in the region.
In 2016, the Publications Project will bring out an assortment of Dossiers from various languages translated into English. The Dossiers will be published in hard-copy as well as freely downloadable on the AAA website.
Workshop | Symposium | 2013
Fields of Legibility: Disciplines and Practices of Art Writing in India
1. 6–7 February 2013, Kochi
A public conference & closed-door workshop organised in collaboration with the first Kochi-Muziris Biennale.
2. 15 July 2013, Mumbai
A closed-door workshop organised in collaboration with Mohile Parikh Centre and took place in Studio X, Mumbai.
3. 13–14 September 2013, Williamstown, Massachusetts
A closed-door workshop and colloquium organised in collaboration with The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, and supported by a grant from the Andrew W. Mellon Foundation.
Colloquium | 2015 | Kolkata
The Art of Dissemination: Writing Cultures
A two-day colloquium organised in collaboration with the Centre for Studies in Social Sciences, Calcutta (CSSSC), on 13 and 14 February 2015 at the Jadunath Bhavan Museum & Resource Centre, Kolkata.
Inviting scholars and researchers from the social sciences, the colloquium was dedicated to the history of print culture in South Asia and its impact on visual arts evidenced in artistic, literary, and cultural journals that were published and circulated in the 20th century.
Workshop | 2016 | New Delhi
In Conversation with K.G. Subramanyan: An Illustration Workshop
A four-day workshop on illustration as a tribute to artist, writer, and pedagogue K.G. Subramanyan for FICA Homepage 2016 in collaboration with The Foundation for Indian Contemporary Art on 2–3 Aug and 5–6 Aug 2016 at the Vadehra Art Gallery, New Delhi.
The workshop engages students, young artists, and researchers to think through the language of illustration. Subramanyan’s deep engagement with illustrated books for children and adults will be used as a starting point.
To futher explore how regional dynamics shaped the discourse of visual arts in the 20th century, AAA commissioned four research papers in 2014 aimed to map key debates across four Indian languages—namely Bengali, Hindi, Marathi, and Tamil.
The papers examine how the lives and afterlives of magazines affected perceptions, imaginations, and tastes surrounding art and culture in 1960s–1980s India.
- Noopur Desai, 'An Enquiry into the Regional Modern: Mapping the Notion of Navata or Newness in the Art Writings in Marathi Periodicals (1950s–1970s)'
- Rahul Dev, 'A Mapping of Hindi Art Criticism: Fashioning Indianness and Exploring Indigenism (with a Special Reference to Bihar)'
- Spandan Bhattacharya, 'Structuring an Idea(l) of Art: A Note on the Art Writing in the Bengali Periodicals of Calcutta from the 1960s to the 1980'
- Jauashree Venkatadurai, 'Nation, Region and the Question of the Modern: Discourses on Art In Print Culture in Tamil'
Asia Art Archive would like to thank Andrew W. Mellon Foundation; Centre for Studies in Social Sciences, Calcutta; Foundation for Indian Contemporary Art; Kochi-Muziris Biennale, Kochi; Mohile Parikh Centre, Mumbai; and The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts.
Core Editorial Team: Sabih Ahmed, Sneha Ragavan, Santhosh S., and Vidya Shivadas
Publications Project Coordinator: Lokesh Khodke
This project has been generously supported by Thapar Public Charitable Trust.