Realism is Not the Only Path

Context

The Chinese art world began to re-examine the issue of Realism after cultural revolution. The discussion was even intensified by the emergence of Scar Art, Luo Zhongli’s Father, and Chen Danqing’s Tibet Series. Li Xianting's articles argue that Social Realism is not necessarily a true depiction of reality and that it should not be the only style to pursue in art.

栗憲庭在文革之後寫的文章。那時中國美術界開始重新審視現實主義問題，而傷痕美術、羅中立的「父親」及陳丹青「西藏組畫」等作品的出現則更是激發了這個討論。栗憲庭的文章要論證的是，以往主導美術界的「社會主義現實主義」並不一定能反映真實，更不應該是美術創作的唯一途徑。

Title type

Translated

Access level

Online

author

LI Xianting, 栗憲庭

publisher

People's Fine Arts Publishing House, 人民美術出版社 (Beijing, China)

Language

Chinese - Simplified

Keywords

realism

Publication/Creation date

1981

Source of publication

Meishu , 美術, 1981, Issue 2, pp. 46–47

Content type

clipping,

essay

文件

Realism is Not the Only Path

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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Realism is Not the Only Path , 現實主義不是唯一正確的途徑

Realism is Not the Only Path , 現實主義不是唯一正確的途徑