Tao Yongbai Archive 陶詠白檔案

Conference Papers and Speeches 會議論文和發言

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"Farmer": A Cape of Good Hop: the Mainstream Value Preference of Chinese Modern Society from Three Aesthetic Perspectives

「農民」：一個好望角——從三種審美視角中看中國現代社會的主流價值取向
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"Farmer": A Role That Is Constantly Being Narrated

「農民」：一個不斷被演述的角色
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Changes of the Farmer Theme

農民題材的變遷
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Farmer Theme Works in the History of Chinese Literature and the Creation of Current "Three Farmers" Theme

中國文學史上的農民題材作品和當前「三農」題材的創作
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Humanistic Care and Painting Farmers

人文關懷與畫農民
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Looking Down, Looking Up and Looking Horizontally: Farmers in the First Half of the 20th Century's Paintings

俯視、仰視與平視——20世紀上半葉繪畫中的農民
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Painters and Farmer Images

畫家與農民畫象
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Present Farmers and the Perspective of Cultural Study

表現農民和文化研究視角
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Respect Farmers and Respect the Reality of Life

尊重農民和尊重生活的真實
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Several Changes on peasant theme painting

20世紀不同審美視角中的農民形象
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Strengthening the Awareness of "Caring for the Bottom": About the "Farmer•Farmer" Exhibition

加強「關懷意識」——關於「農民·農民」展
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The Ideological function of peasant image in Chinese art since the 20th century

從鄉土寫實水墨畫到大鄉土繪畫
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Three Perspectives on Farmers

審視農民的三個視角
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Time Passes: The Decline of

藝術家的社會良心