Chang Chengjen has been working on Acrylic and photo collages, putting ready-made objects in frames, which he draws from modern daily life, such as bins, cans, newspaper, wrapping boxes and brushes. Adoption of these mass produced objects originated in his interest in social matters, as Jiang Yenchou points out in his article and sites him as a ‘social art observer’ and a ‘Metropolitan litterateur in Taiwan’, as others had done previously. This catalogue includes essays by Jiang Yenchou and Yang Chi in Chinese, and a biography of the artist in both Chinese and English. With preface from the Chairman of the Cultural Bureau of the Taipei County Government.
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