Catalogue of the artist's solo exhibition featuring a series of oil paintings based on photographs taken during the Chinese Cultural Revolution period in China.
As Wang Min'an explained in the opening article in the book, the '... portraits thus have dual monumentality implications: It is both individual autobiography and collective memory; private as well as national macro political domain; general preservation and also critical reflection...'
(Note: A bigger-sized publication with more elaborated contents in the same title is also available at AAA.)
As Wang Min'an explained in the opening article in the book, the '... portraits thus have dual monumentality implications: It is both individual autobiography and collective memory; private as well as national macro political domain; general preservation and also critical reflection...'
(Note: A bigger-sized publication with more elaborated contents in the same title is also available at AAA.)
Alternative title
Lì shi zhong guo zhong sheng xiang: 1966 -1976
Access level
Onsite
artist
editor
Location code
MON.XWX
Language
Chinese - Traditional,
English
Keywords
Publication/Creation date
2007
No of pages
160
ISBN / ISSN
Nil
No of copies
1
Content type
artist monograph
Chapter headings
Monumentality, Solemnness and Daftness - WANG Minan, 汪民安
Search for the 21st-Century Chinese Contemporary Artistic Coordinate System - WANG Mingxian, 王明賢
Historical Memory and Realistic Quest — Xu Weixin's Chinese Historical Figures: 1966 - 1976
'The Origin of Contemporary Art' — Viewing Xu Weixin's Recent Works - WU Hong, 吳鴻
Chinese Historical Figures: 1966-1976, 歷史中國眾生相：1966 -1976
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.