'The Taipei Country Art Exhibition (TCAE) started the transformation of official art exhibitions in the 1990s. It became not only a competition that abolished traditional art media categories, but also a precursor of outdoor installation in government-sponsored art exhibitions. This book is edited by art historian Chiang Po-shin. The compilation includes two hundred relevant archives, along with articles written by invited art critics Lu Pei-yi, Yu Wei, Chen Kuan-yu, and Yang Chia-hsuan. Inspired by the environment, trash, noise, images, and the human body, these articles were written from various perspectives to analyze how the TCAE utilizes avant-garde experimentation within and outside the systems, and how this made the Tamsui River become a site where modern art evolved. This collective effort is to provide an exhibition history that entails both local context and global perspective.' - from the back cover
Includes chronology of key art events in Taipei County in the 1990s.
Onsite
Chinese - Traditional,
English
2022
365
9786267135433
1
anthology
The Rhetoric of a Possible Telling - Patrick D. FLORES
Across County Lines: Locating Exhibition Histories - John TAIN, 譚鴻鈞
Toward the Future of Translocationalism: Where Global Exhibition Histories and Contemporary Art Archive Meet - CHIANG Po-Shin, 蔣伯欣
The Tamsui River as a Method: Environmental Art (1994), Resurgence on the Tamsui River (1995), River: New Asian Art—A Dialogue in Taipei (1997) - LU Peiyi, 呂佩怡
On the Rim of the Taipei Basin, 1993-1995: Trash, Noise, and the Experiment of Local Government-sponsored Art Exhibitions - YU Wei, 游崴
View on the Tamsui River in 50 Years-Documenting Changes in the Human-Geographical Landscape under the Governance of Environmentalism - CHEN Kuan-Yu, 陳寬育
Body Liberation at the Sides of the Taipei Basin Before and After the Lifting of Martial Law - YANG Chia-Hsuan, 楊佳璇
Exhibition in Becoming: Taipei County Art Exhibition and Experimental Art, 1992–1997, 流變的展覽：北縣美展與前衛實驗 1992–1997
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