The exhibition was comprised of installation works based on Hsin Chuang historical background. 7 distinguished female artists, from the regions of the United States, Japan, Korea, and Taiwan, derived their observations, consolidated their understandings and developed their interpretation of the social issues in this area. Most of the 7 artists have been using fiber materials or one of the techniques of weaving, tying, cutting and other textile related applications.
The process in establishing the female self identity is in line with the process in the construction of Hsin Chuang's self subjectivity.
This is the leaflet for a group installation at a city called Hsin Chuang in Taiwan. Biography and introduction to the exhibition are included.
The process in establishing the female self identity is in line with the process in the construction of Hsin Chuang's self subjectivity.
This is the leaflet for a group installation at a city called Hsin Chuang in Taiwan. Biography and introduction to the exhibition are included.
Access level
Online
Language
Chinese - Traditional, 
English
Keywords
group exhibition,  conceptualism,  installation,  mixed media,  public art,  fibre art,  industrialisation,  gender,  identity
Publication/Creation date
1997
No of copies
1
Content type
ephemera
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