'Hal Foster [...] argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style” of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies.
More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex” provides invaluable insight into broader social and economic trajectories in urgent need of analysis.' - extracted from back cover.
Access level

Onsite

author
Location code
REF.FOH
Language

English

Publication/Creation date

2013

No of pages

302

ISBN / ISSN

9781781681046

No of copies

1

Content type

monograph

Chapter headings

Image Building

Part I: Global Styles

Pop Civics

Crystal Palaces

Light Modernity

Part II: Architecture Vis-a-vis Art

Neo-Avant Garde Gestures

Postmodernist Machines

Mininmalist Museums

Part III: Mediums After Minimalism

Sculpture Remade

Film Stripped Bare

Painting Unbound

Building Contra Image

The Art-Architecture Complex
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

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The Art-Architecture Complex