'In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and blind spots in their photographs, performances, and conceptual strategies to directly address the dire circumstances of dislocated Palestinian people. He discusses the disparate interventions of Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen Anastas and Rene Gabri in the United States, and traces how their works offer images of conflict as much as a conflict of images. Throughout Demos shows the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within the aesthetic domain.' - from the back cover

Access level

Onsite

author
Location code
REF.DET
Language

English

Publication/Creation date

2013

No of pages

336

ISBN / ISSN

9780822353409

No of copies

2

Content type

monograph

Chapter headings

Check-in: A Prelude

Charting a Course: Exile, Diaspora, Nomads, Refugees: A Genealogy of Art and Migration

Departure A: Moving Images of Globalization

1 Indeterminacy and Bare Life in Steve McQueen's Western Deep

2 "Sabotaging the Future": The Essay Films of the Otolith Group

3 Hito Steyerl's Traveling Images

Transit: Politicizing Aesthetics

4 The Art of Emily Jacir: Dislocation and Politicization

Departure B: Life Full of Holes

5 Recognizing the Unrecognized: The Photographs of Ahlam Shibli

6 The Right to Opacity: On the Otolith Group's Nervus Rerum

Transit: Going Offshore

Depart C: Zones of Conflict

7 Out of Beirut: Mobile Histories and the Politics of Fiction

8 Video's Migrant Geography: Ursula Biemann's Sahara Chronicle

9 Means without End: Ayreen Anastas and Rene Gabri's Camp Campaign

Destination: The Politics of Aesthetics during Global Crisis

The Migrant Image: The Art and Politics of Documentary during Global Crisis
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The Migrant Image: The Art and Politics of Documentary during Global Crisis